![]() The camera work and framing seems to always have a purpose and interesting look to them while adding to the joke or emotion of the moment. The costumes accent the sets while sharing in that "Blegh" blahnes humor of the world. the sets and decor have a great sense of whimsicality to them but at the same time feel genuine to the world they are in. ![]() not sure if that is a script issue or the filmmakers didn't always accomplish what they wanted but taking points off here. Seems like some characters or moments got glossed over or rushed through. Pros: the story proceeds at a very fast easy viewing pace, you never check your watch to see how much time is left.Ĭons: maybe it moves too fast at certain times. He garners very strong performances from his two leads and orchestrates a couple very dynamic sequences, namely toward the end of the film.Ĭons: feels like at times there is some hesitation from the first time director to commit to a joke, but then at other times maybe he doesn't show enough restraint. Pros: Moore creates an unusual world with a lot of originality. Scolari and Mumolo provide nice comic relief as bickering parents dealing with a son that continually accidentally kills people in their small town.Ĭons: some of the side characters feel a little under developed. Telles in particular exudes charisma and charm, while providing some strong subtly during the more dramatic moments of her journey. It's easy to fall in love with them as a couple. ![]() Pros: Flynn and Telles share a clear chemistry on set. Pros: interesting concept, witty dialogue, and fun characters for the most part.Ĭons: it's an unusual concept but falls into some YA genre related cliches briefly. ![]()
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